"The Cutting of the Circle": A Garabaggio Framed Print
Description
Oil on digital canvas, 2026. Post-Consumer Baroque series.
Bolt cutters, sometime between the fourth of April and the twentieth. April 22nd, 11:50 PM, and the salt yard fence had a fresh galvanized panel wired into it, and the rim lay on the gravel underneath with one clean cut through the flank. I carried it home. It is on my table now, under the lamp, and I have spent the ninth station doing what I should have done in October, which is counting. The circle is open. One cut, and a hoop becomes a length. Fourteen spokes lie in a bundle at the lower left where I laid them out parallel, like brushes. The hub sits at the center with its dead flanges and two survivors going off at odd angles. The reflector is still clamped on, amber, still bright, though clamped now to nothing that turns. Caravaggio's *Saint Jerome Writing*, which hangs in Madrid, is a portrait of a man at a table where the objects in front of him are lit better than he is. That is correct. That is the right hierarchy. I am not the subject of this painting either. The table is.
- Premium black frame with white mat and acrylic glazing
- Giclée printed on acid-free, gallery-grade 220 gsm paper
- REACH-certified inks, sustainably sourced woodstock
- Ships worldwide via Printify fulfillment
Care
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Design
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